Smith & Foulkes
I chose to look into the works of Adam Foulkes and Alan Smith. I had chosen them when I was browsing the links provided from the class notes and their video of “The Littlest Elf” had caught my attention. Being a child at heart, I enjoy having family films playing in the background as I do my homework and “Lemony Snicket: A Series of Unfortunate Events” is one of those films on that list. If you haven’t seen the film, it actually opens with this clip of “The Littlest Elf” which misdirects the audience to a “happier film”—but the animation and silliness caught my attention the first time I ever watched the movie. Thus, as soon as I saw it was one of their pieces..I just had to look into their work more.
Within the majority of their work shows an illustrative touch to them, but some still retain that of actual video incorporated into the piece. Thus in regards to categorizing their work, I believe that it reflects more of the fluid genre; where their animations exhibit seamless transisitions throughout their storyline but utilize plenty of different graphic elements at the same time.
Video: Abba to Zappa
Structure & Composition: The simplicity and white space remains consistent throughout the entire video, which definitly compliments the chaotic motion of the interchanging bands. The graphics animating within the canvas do not overwhelm the canvas as a whole, but use the space effectively.
Image & Image Type: Smith/Foulkes did a great job to keep the simplicity of the characters consistent throughout the entire animation and utilized key, definiing attributes of each band for the viewers to differentiate who they were (i.e. beatles with yellow submarine, kiss with face paint, nirvana in heaven, etc). All images consisted of a vector graphic, which aided in simplicity.
Symbols & Symbol Types: Similar to the images utilized, they symbolically used key attributes of each band in order for the viewers to identify the different bands. A couple examples would be the bat for Ozzy and the yellow submarine for The Beatles.
Time: The transision between each band was a little hurried, but everything seemed to fit well together as an entire piece. In a sense, the speedy animation made me (the viewer) feel as if it was some sort of game and I tried to beat the clock to name the all. Which, to me at least, I found more entertaining than rather just WATCHING the animation.
Sound: The sound reflected the video very well and transititioned to match the different bands, the base of the sound was very upbeat and went along with the time/speed of the animation as a whole. The additional sound effects definitely complimented the piece and made it that much better.
Intent & Meaning: I find that these are quite similar in nature, so I’ve decided to group their analysis. In the case of this video, it was in order to animate the Rock and Pop alphabet for ‘The Observer’. They utilized simplistic figures to represent iconic bands in an upbeat and exciting manner. I found the intent/meaning to be entertaining, energetic, and overall successful due to their consistency of simplicity and recognizable differences between each band represented.